{"id":3126,"date":"2022-06-30T10:32:06","date_gmt":"2022-06-30T08:32:06","guid":{"rendered":"https:\/\/www.centredufilmsurlart.com\/?post_type=date&#038;p=3126"},"modified":"2022-06-30T10:32:06","modified_gmt":"2022-06-30T08:32:06","slug":"phedre-venerie","status":"publish","type":"date","link":"https:\/\/www.centredufilmsurlart.com\/en\/date\/phedre-venerie\/","title":{"rendered":"Ph\u00e8dre ou l\u2019explosion des corps confin\u00e9s"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only avai\u00adlable in <a href=\"https:\/\/www.centredufilmsurlart.com\/fr\/wp-json\/wp\/v2\/date\/3126\" class=\"qtranxs-available-language-link qtranxs-available-language-link-fr\" title=\"FR\">FR<\/a>.<\/p><p><strong>Un film de <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;M\u00e9ryl Fortnuat Rossi&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:13181,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;9&quot;:0,&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Calibri&quot;,&quot;16&quot;:14}\">M\u00e9ryl Fortnuat Rossi<\/span> (2021, 67\u2032)<\/strong><\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Faire, d\u00e9faire, refaire, c'est le travail normal des com\u00e9diens et comm\u00e9diennes. Mais lorsqu'une maladie invisible vient d\u00e9truire sans cesse le travail, comment continuer \u00e0 cr\u00e9er ensemble ?   Et pourquoi ? &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:13181,&quot;3&quot;:{&quot;1&quot;:0},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;9&quot;:0,&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Calibri&quot;,&quot;16&quot;:14}\">Faire, d\u00e9faire, refaire, c\u2019est le tra\u00advail nor\u00admal des com\u00e9\u00addiens et com\u00e9\u00addiennes. Mais lors\u00adqu\u2019une mala\u00addie invi\u00adsible vient d\u00e9truire sans cesse le tra\u00advail, com\u00adment conti\u00adnuer \u00e0 cr\u00e9er ensemble&nbsp;? Et pourquoi&nbsp;?<\/span><\/p>\n<p><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ils sont com\u00e9diens et com\u00e9diennes, danseurs, danseuses et chor\u00e9graphes, elle est metteuse en sc\u00e8ne. Dans une salle de r\u00e9p\u00e9tition, ces artistes travaillent sur la trag\u00e9die Ph\u00e8dre, \u00e9crite par Jean Racine en 1677, et qui devrait \u00eatre montr\u00e9e au Th\u00e9\u00e2tre des Martyrs, \u00e0 Bruxelles. Sauf que... nous sommes en mars 2021. Ils sont com\u00e9diens et com\u00e9diennes, danseurs, danseuses et chor\u00e9graphe, elle est metteuse en sc\u00e8ne. Ensemble, ces artistes essaient de monter Ph\u00e8dre, une pi\u00e8ce sur un mal invisible... Au gr\u00e9 des confinements, d\u00e9confinements, ouverture, annulation, espoir, avis divergents, les artistes aux nerfs de plus en plus \u00e9prouv\u00e9s se retrouvent ensemble autour d\u2019un projet qui, peu \u00e0 peu, semble leur \u00e9chapper. Dans un monde qui, d\u00e9j\u00e0, a perdu ses couleurs, il va \u00eatre question de mettre en mots, en corps, en espace et en voix, toutes les blessures.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:13181,&quot;3&quot;:{&quot;1&quot;:1},&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:{&quot;1&quot;:2,&quot;2&quot;:0}},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;9&quot;:0,&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Calibri&quot;,&quot;16&quot;:14}\">Ils sont com\u00e9\u00addiens et com\u00e9\u00addiennes, dan\u00adseurs, dan\u00adseuses et cho\u00adr\u00e9\u00adgraphes, elle est met\u00adteuse en sc\u00e8ne. Dans une salle de r\u00e9p\u00e9\u00adti\u00adtion, ces artistes tra\u00advaillent sur la tra\u00adg\u00e9\u00addie Ph\u00e8dre, \u00e9crite par Jean Racine en 1677, et qui devrait \u00eatre mon\u00adtr\u00e9e au Th\u00e9\u00e2tre des Martyrs, \u00e0 Bruxelles. Sauf que\u2026 nous sommes en mars 2021. Ils sont com\u00e9\u00addiens et com\u00e9\u00addiennes, dan\u00adseurs, dan\u00adseuses et cho\u00adr\u00e9\u00adgraphe, elle est met\u00adteuse en sc\u00e8ne. Ensemble, ces artistes essaient de mon\u00adter Ph\u00e8dre, une pi\u00e8ce sur un mal invi\u00adsible\u2026 Au gr\u00e9 des confi\u00adne\u00adments, d\u00e9con\u00adfi\u00adne\u00adments, ouver\u00adture, annu\u00adla\u00adtion, espoir, avis diver\u00adgents, les artistes aux nerfs de plus en plus \u00e9prou\u00adv\u00e9s se retrouvent ensemble autour d\u2019un pro\u00adjet qui, peu \u00e0 peu, semble leur \u00e9chap\u00adper. Dans un monde qui, d\u00e9j\u00e0, a per\u00addu ses cou\u00adleurs, il va \u00eatre ques\u00adtion de mettre en mots, en corps, en espace et en voix, toutes les blessures.<\/span><\/p>","protected":false},"featured_media":3031,"template":"","lieux":[2],"class_list":["post-3126","date","type-date","status-publish","has-post-thumbnail","hentry","lieux-cycle-les-mardis-de-lart-boitsfort"],"_links":{"self":[{"href":"https:\/\/www.centredufilmsurlart.com\/en\/wp-json\/wp\/v2\/date\/3126"}],"collection":[{"href":"https:\/\/www.centredufilmsurlart.com\/en\/wp-json\/wp\/v2\/date"}],"about":[{"href":"https:\/\/www.centredufilmsurlart.com\/en\/wp-json\/wp\/v2\/types\/date"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.centredufilmsurlart.com\/en\/wp-json\/wp\/v2\/media\/3031"}],"wp:attachment":[{"href":"https:\/\/www.centredufilmsurlart.com\/en\/wp-json\/wp\/v2\/media?parent=3126"}],"wp:term":[{"taxonomy":"lieux","embeddable":true,"href":"https:\/\/www.centredufilmsurlart.com\/en\/wp-json\/wp\/v2\/lieux?post=3126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}